08 January 2011

I am a nerd. This is not news.

So I have been embracing my nerdiness recently. I’m in a Doctor Who phase, for one thing. This is mostly sparked by Christmas and the Christmas special being so well-done. Also, when my boyfriend and I went Christmas shopping, we saw a figurine collection of all eleven doctors, with their signature accessories (usually the sonic screwdriver), and it was actually well-done. Not all eleven doctors looked like their portrayer, but let’s say 8 out of 11 did. Which is pretty good for plastic. I’ve also been listening to the audio plays from Big Finish. I also blame Christmas for this: they’re kind of perfect for long flights when there’s nothing good being shown on the actual airline TVs. I read a lot of the time as well, of course, but would turn on the Big Finish when I just wanted to phase out. Also, Tor.com did “The Twelve Days of the Doctor” over the Christmas season, which just fed the obsession.

The other day, while I was home alone (since my actual Full-Time Job didn’t start until today), I extended the obsession. I watched all of the regeneration scenes, for each of the Doctors. And after each regeneration scene, I watched the first scene or two (or three) with the new Doctor – enough to see him reintroduce himself to the companion(s) and the situation and establish himself as a personality. The only one I didn’t watch this time was Four into Five, because I’ve seen Castrovalva a few times, and the last time was just a couple of months ago. Oh, and I limited myself to the “classic” Doctors, because obviously I’ve seen the new regenerations and establishing scenes more than a few times. They’ve kind of imprinted on me.

It was really interesting to see how the actors, writers, and directors established the departure of each Doctor and the arrival of each new Doctor. There were a few similarities, but mostly they were individual. One into Two is, sadly, lost as a video. There are reconstructions (which I watched) but the quality was so bad, and my understanding of the plot was so bad, that I didn’t really get a lot of it. I would wish, if it were any use, that there were more Troughton bits available – I think I would like him as a Doctor. I’ll watch what I can, when I can, though.

Two into Three was the forced regeneration. It was interesting that the Time Lords gave the Doctor a choice of face for this one – even though Pertwee wasn’t one of the choices. I wonder, had Pertwee been cast at this point? Or did they just want to surprise people at the start of the next episode? Pertwee started off as you would expect a disgraced, exiled, regenerated Time Lord to act: secretive, angry, upset and disappointed. It didn’t help that the Brigadier didn’t recognize him, and then he almost got kidnapped and had to escape in a wheelchair with masking tape over his mouth. There was a touch of “crazy man” about him, but not as much as the next one.

Three into Four was tricky. Sarah Jane had no idea what to expect, the Brigadier was surprised but quickly resigned himself to it, and a helper from, I assume, previous episodes had to come and speed things along a bit. And then Tom Baker appeared and “crazy man” absolutely took over. He is so….I’m not sure what the right word is. It’s not manic, because he’s more laid back than that. It’s not “crazy” with the negative connotations. But he’s kind of amnesiac at first, and then he absolutely refuses anyone’s assistance, advice, or presence. He disappears into the Tardis, apparently about to abandon Sarah Jane and the Brigadier, when it’s like something clicks back into place. That smile appears, his eyes go happily wide instead of the alert and wary wide they’ve been so far, and he snaps into place. In one episode – not even one episode – you know exactly what his Doctor is going to be like, and the key word is going to be “unpredictable”. He won’t hesitate to tie someone up in a closet by his bootlaces; he also won’t hear of anyone putting themselves in danger for him. You’ll think he’s placid until he explodes into a fury of activity.

Four into Five is different again. As he regenerates, Four sees visions of all of his previous enemies and companions. He’s also been warned by the Watcher (a white-wrapped figure, theoretically the Doctor’s potential next self, I think?) that a regeneration is coming, so it’s not as violent a “death” as some of the others (Three was attacked by mutant spiders, if I recall…). And then Five comes along and takes over the role. There’s a touch of amnesia, as is becoming usual, but it’s more that Five doesn’t know who Five is rather than he doesn’t know who the Doctor is. He progresses through each of his previous personalities – and is spot-on in doing so – before establishing himself. It’s a nice touch of continuity in a show that is notoriously – and necessarily – bad with continuity.

And it couldn’t be more different than Five into Six. The regeneration itself is fairly standard – it helped that both Peter Davison and Colin Baker had blond hair – but the establishing scenes make a very definite statement: this is not the same Doctor. After watching that bit, I can absolutely see why Colin Baker had trouble in the role. I can absolutely see why many fans didn’t like him, and why the ratings dropped so precipitously. He comes in to this established and loved series and says, paraphrasing only slightly, “I am not the Doctor that you have known and loved. I reject everything that has come before me, and if you don’t like it, too bad.” He dismisses Peri’s affection for the Doctor, he literally rejects every costume that his predecessors wore and chooses something (a garish coat-of-many-colours) that they themselves would have rejected.

I don’t see this as even mostly Colin Baker’s fault. He’s been wonderful in the audio dramas. His Doctor, when given a chance, is not really that different from the other Doctors – he’s just less gentle on first acquaintance. But first acquaintance is all that some people will give you – and when you reject and abandon the aspects that drew them to you in the first place, they won’t stick around to find out what you’re really like. And, like I say, this isn’t Colin Baker’s fault. He didn’t write the lines – he just delivered them. And I would imagine that he was given some input on how to deliver them. It can’t have been entirely his idea to make the first appearance of the Doctor so inherently unlikable.

With all that, and the behind-the-scenes BBC drama, it’s no wonder that Colin Baker, the public face of the Doctor, was fired – or that he refused to film a regeneration scene. So Six to Seven is a bit different again. The regeneration happens fairly quickly – I don’t even know how much lead-up to it there was in the previous episode – and then Seven is thrown straight into the new situation. No amnesia, no character-establishing scenes where he’s picking out a costume or looking at his new face. He wakes up, he’s face to face with the Rani, and he’s just there, dealing with it, the end.

I’ll stop there for now. There’s still the movie and New Who to get through, plus reactions to the Christmas special and excitement about the new season, and the audio plays, and I’ve read a couple of the novelizations (and got one for Christmas, yay)… plus there’s the additional geekery of getting into World of Warcraft for the first time (hey, it gives me contact time with the boy) and Eternal Sonata and a couple of anime shows….